Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

October 1, 2015

Netflix as a paradigm...or it's the content, stupid!!

There is no doubt that the significance of content in the media and digital spaces is paramount, and that thousands of reports, articles, books and posts have been written about it. Even major corporate deals have been reportedly completed - Verizon's recent acquisition of AOL is a case in point - on the basis of content. 

Content is king and becoming more and more significant. And when speaking of content, Netflix is one of those names that comes to mind right away. I have had some sort of direct experience about this most recently. 
Netflix, HBONow, Sling, Hulu, Amazon Prime... it is amazing how quickly you can get used to the seamless experience of having all the shows, documentaries and movies (i.e. content) you want within your reach at any time, without neither ads nor schedule constrains. Today, I am all in when it comes to cutting the cable cord. And I was not aware that I felt so strongly about it until circumstances have forced me to change my adopted habits and get back to cable tv.

My entertainment menu while in the U.S. came from over-the-top services such as Netflix, Amazon Prime and, more recently, HBONow. I have digested content like crazy, at my own pace, whenever I have wanted to. However, after landing in Spain I confirmed my fears: none of these services is available in Spain (well, Netflix just announced its forthcoming Spanish launch on October 20, thank god). That has led me to Telefonica's pay-tv offering which, in turn, has quickly discouraged me from watching tv at all. I can't stand the experience, I seldom find interesting content at a time that works for me.

Unfortunately, Spain has traditionally be at the very top in the global piracy rankings, both in relative and absolute terms. It is also often said that this is the result of a country culture. I am not gonna say that the latter is not partially true, but I am also pretty sure that the reality would be a very different one had Netflix or others been around for quite some time. Changing the existing mindset and making people pay monthly to get content is going to take a while.

Speaking of Netflix as a paradigm of good and relevant content, I couldn't help sharing their latest native advertising campaign - Cocainenomics, on the occasion of the premiere of "Narcos" - on the Wall Street Journal. It is jaw-dropping.



Native advertising is a growing trend in digital advertising: it is the practice of making an ad on a platform resemble the look and feel of whatever content the user is there to see or read. This a growing digital advertising segment has been forecasted to be worth $5-10 billion in 2016.  

All experts point out that, in order for native advertising to become the more engaging tool it is for the user, advertisers need to be able to tell stories, to connect with their audience, to address the later's needs. And content - more accurately, the meaningful and quality content - is the secret ingredient that guarantees success, for both publishers (more money) and brands (more brand awareness)...and readers (engagement). 

April 27, 2010

Nuevo talento

Me gusta mucho el cine y ver caras nuevas de vez en cuando, no a los mismos de siempre. Hay que apostar por el nuevo talento, asi que cuelgo los links a una serie de cortos en los que ha participado Nacho Diezhandino, gran amigo y aun mejor actor. Son cuatro en total e incluyen remakes de escenas de peliculas como Breakfast at Tiffany's y The Godfather.




Se aprecia que estan bien rodados. De hecho cuentan con el aval de la Fundacion de la Escuela de Cinematografia y del Audiovisual de la Comunidad de Madrid (ECAM).

Que los disfruteis!

April 2, 2010

Piracy in Spain

Earlier this week, the LA Times argued that Sony Pictures might be thinking about closing its DVD business in Spain. Word says that the other big studios might follow. Sad as it is, I do understand it.

Spain has climbed to the third spot in the world ranking of piracy, after South Korea and China. In absolute terms, which is insane considering that we are roughly 45 million people.

According to different sources the number of DVDs sold or rented in Spain in 2009 dropped by 30%, compared to 2008. On the flipside, the number of illegal downloads jumped from 132 million in 2006 and 350 million in 2008, according to the data of the studios. The studios further report that sales of DVDs in Spain generate three to ten times less income than in the UK or Germany. Likewise, the number of DVD rental businesses has dropped dramatically in Spain over the recent years.

It is clear to me that big media players have not adapted yet to the new times. Or at least not around the world (for instance, I keep reading about new iPad deals cut between Apple and content distributors for the US... but what will happen outside of the US? See my post from February 3 on geographies). People share and consume content in a different way. Is it that hard to understand? The music business had to learn this the hard way but it seems to be on the track to recovery. Motion picture industry should pay more attention to everything going on around it.

But having said the above, there is no justification for what is going on in Spain. And the more I think and talk about it, the more assured I am that it is something cultural. I do not trust all those people shouting out there about "sharing" content on P2P platforms. But when I talk to more educated people, a majority of them seems to also believe that P2P users are not stealing content. And it really amazes me.

In this context, in my view, 'sharing" is just a way to justify "stealing". Period. You "share" a movie with someone at the other side of the P2P application and  you do not buy or rent the movie any more. That's reality. It worries me that people do not want to see this, but it worries me even more that people do really think that they actually doing something legal.

A number of legal measures are being analyzed by the Spanish government in order to regulate further these activities. The minister of culture is being attacked by lots of associations of internet users claiming that things are fine the way they are now. Culture of cheap (i.e. free) perks?

January 25, 2010

Hay esperanza para el cine




Me encanta ir al cine, sobre todo cuando las peliculas merecen la pena de verdad. Y es que llevo tres semanas seguidas acertando de pleno. Tres peliculas, completamente diferentes, Tres sobresalientes.

La semana pasada fue Avatar. Toda una experiencia, el mejor ejemplo que recuerdo de la experiencia de "ir al cine", aderezado con el efecto 3D. Si este es el futuro del cine espectaculo, bienvenido sea. Hay futuro. Esta semana ha sido "Up in the air", la ultima de George Clooney. Otro tipo de cine, el cine de contar historias, de ese que te hace pensar y reflexionar durante y despues de la pelicula. Lo mismo me ocurrio hace tres semanas con Celda 211, un peliculon con sello nacional, con unos actores excelentes y que te mantiene en vilo durante dos horas. Estas tres pelis son perfectos ejemplos de que hay esperanza para el cine.

En los ultimos anhos se habla mucho de que la industria del cine esta en peligro de extincion. La pirateria, internet, las nuevas formas de consumir entretenimiento, la falta de talento, ingenio y originalidad, etc. Es cierto que los habitos de los consumidores han cambiado sustancialmente y que la industria y los reguladores han ido y siguen yendo varios pasos por detras en su proceso de adaptacion al nuevo landscape. Pero no es el fin del mundo.

2009 se puede decir que ha sido un buen anho para el cine, lo cual tiene aun mas merito si consideramos el entorno de crisis generalizado a nivel global (aunque esta industria siempre se ha considerado bastante resilient). Asi lo indican las siempre frias cifras. En EE.UU, se estima que el box office de 2009 fue alrededor de un 8% superior a la del anho precedente. En Espana, igualmente, la asistencia al cine se ha incrementado en 2009 por primera vez en cinco anhos.

No cabe duda de que nos encontramos en un momento importante para la industria del cine. Ojala el 2009 haya supuesto un punto de inflexion que permita mirar al futuro con algo mas de optimismo. Sin perjuicio de que hay que ir adaptando la distribucion y comercializacion del cine, asi como el marco legal correspondiente, a las nuevas tecnologias y al comportamiento de los consumidores, empecemos por preservar y potenciar el talento. Con buenos contenidos, hay futuro. Como se suele decir content is king.